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Monday, November 26, 2012

Regency Influence on the American Frontier



Love in Three Quarter Time
Although my new historical romance, Love in Three-Quarter Time, is set near the American frontier, it is also set during what would be considered the Regency period in England. And because American culture was so influenced by Britain, I think any Regency fan will enjoy reading about those influences in my book. Most of my characters come from an English background. In fact, several minor characters are directly from England. And my heroine, little trouble maker that she is at times, decides to fake a Yorkshire accent to try to impress her potential employers with her European background. The story takes place in Charlottesville, Virginia, home of Thomas Jefferson and many other members of the “planter elite class,” which gives it a sophisticated touch reminiscent of Regency England. But it’s also situated not far from the Shenandoah mountain range, which was still considered the frontier in 1817.
Let’s look at some of the elements associated with Regency culture that are seen in my book.

Fashion 

1817 Regency Gown
1817 Regency Gown
Fashionable Americans wore the same styles as their European counterparts, and made every effort to keep up with the latest trends. In 1817, for ladies this meant higher waists than ever before and sculpted bodices. Hemlines were also higher than ever and skirts were wider and more frilled than during other times in the Regency Era. I especially give a close up look at the ball gowns of that day since my heroine’s mother is a seamstress. You’ll also see plenty of the hats, gloves, and fans that this era is known for. In men’s fashion the style had moved to trousers rather than breeches, and Hessian boots had grown passé. Although, you’ll still see these boots on some of my less fashion conscious characters.
Science
Of course scientific advances are the same in both the United States and England. The US could boast several impressive universities at that time, and plans for building the University of Virginia in Charlottesville were already underway. Let’s not forget that Benjamin Franklin had been an American innovator in science not long ago. My heroine’s sister, Patience Cavendish, has a love for science and a penchant for discussing the latest theories of heat and sound. Like her former president, Thomas Jefferson, she is very influenced by Enlightenment thinking.

Politics

Both England and America were still recovering from the War of 1812. In addition, the abolitionist movement was active in both countries. Britain had abolished all slave trade at this time, although not slavery itself. America had recently abolished international slave trade but not domestic. Of course, my abolitionist characters hope that America will keep the momentum moving toward freedom, but I’m concerned that unlike in England, it will take drastic measures to put an end to slavery in the American South.

Economics 

Both countries were still recovering from the devastating effects of the “Year without a Summer” of 1816, which was reportedly caused by a volcano in Indonesia. Virginia itself was far enough south to escape the worst of the famine, but it did affect the economy throughout the US and earned several mentions in my book. It comes into play as my hero, Robert Montgomery, makes some important business decisions about his plantation.

Arts and Architecture 

Monticello
Monticello
The Romantic Movement was fashionable in art at this time throughout Europe and the US. My artistic character, Felicity Cavendish, is a fan of this movement. In architecture the style was called “Regency” in England and “Federalist” in America, but both were heavily influenced by the Neo-classical style. This can be seen in Jefferson’s Greek Revival architecture at Monticello and my own fictional creation, White Willow Hall.

Music and Dance

While Americans enjoyed the same cultured composers as their British counterparts, they each had their own unique folk music as well. For high society balls, the dances were nearly identical at this time. England beat us to the “scandalous” waltz, however, when the Prince Regent introduced it in 1816. The waltz coming to America is a primary focus of my book, so you’ll get to enjoy many details of the waltz and other ballroom dances, as well as a peek at the world of ballet. In fact, my heroine Constance Cavendish, turned to teaching dance to support her family after her father died, leaving them destitute. Since men were highly sought as dance masters at the time, Constance must move to the frontier in search of better employment.

Religion

A few weeks ago on Regency Reflections Reagan Walker shared an in depth article on this blog about the religion of this time in England. I loved this quote she shared from an Anglican minister about other Anglican ministers of this time. “[With few exceptions] the clergy held and taught a negative and cold Protestantism deadening to the imagination, studiously repressive to the emotions, and based on principles which found little sanction either in reason or in history. The laity willingly accepted it, as it made so little demand upon their conscience, so little claim upon their life.” My heroine’s spiritual journey is moving from this type of thinking to a warm and vibrant evangelical sort of faith, also typical of this time, thanks to my handsome circuit riding preacher, Lorimer.
Naturally, some elements in the book are purely American including Thomas Jefferson, the Monacan Indians, the tobacco plantations, and the frontiersmen in buckskin clothing, but I think you’ll find plenty of European influence to please even the most Regency-loving soul. In fact, my characters enjoy a good Austen novel as well as anyone, although the author is still anonymous at this time. I call this my “Scarlett O’Hara meets Jane Austen novel,” and I included plenty of Austen-like twist and turns for a fun, romantic read you’ll be sure to enjoy.
Dina SleimanExplore the world of 1817 Virginia and follow in the footsteps of Constance Cavendish, the former belle of the ball, who must now teach the dances she once loved and risk her heart in order to restore her family and her faith. As the fiery Constance falls into genteel poverty, the opportunity of a lifetime may await her in the frontier town of Charlottesville. But the position will require her to instruct the sisters of Robert Montgomery—the plantation owner who jilted her when she needed him most. As Robert and Constance make new discoveries about one another, can they face their past and the guilt that threatens to destroy them in time to waltz to a fresh start? Or will the curtain close on Constance for good this time? Fans of Julie Klassen will love this original novel from Dina Sleiman! Download it today for only $3.99! http://zondervan.com/9780310334156 

Monday, November 19, 2012

Tea Party Anyone?

With the release of my 1817, Virginian-set Love in Three-Quarter Time, I've been invited to get more involved in the Colonial Quills, which is the blog for the Colonial American Christian Writers. A big thanks to Carrie Pagels for setting this up, including my awesome inclusion in last week's USA Today article :) Click here if you missed it.
 
So what's going on at Colonial Quills? Take a look for yourself:

On Black Friday, we are having a Tea Party on Colonial Quills to celebrate publications by Kelly Long, Dina Sleiman, and Gina Welborn. We will be announcing the giveaways from the first three serials and also giving away THREE books: copies of a book by Kelly Long, Dina's ebook, and a novella by Gina. We will also have a colonial gift basket for one winner who comes "in character" which always makes things so fun!!! Come on by!
 
We are offering a holiday gift to our readers over at Colonial Quills. Through mid-January we have NINE authors contributing to a serial anthology of Christian historical fiction! FREE! Three of the chapters have already gone live--Carrie Fancett Pagels's, Susan F. Craft's and Carla Olson Gade's contributions. (Yes, I will be writing one of these anthology stories in early January)
 
Here is the schedule: Click here Follow the links in the schedule to read each part of the three serials posted.
 
There is a giveaway associated with EACH serial post. Leave a comment on each one to be entered for a book by Laura Frantz, Susan Craft, and/or Carla Olson Gade.






Monday, November 12, 2012

Waltz - The Forbidden Dance


In the late 1700s and early 1800s the waltz was considered quite a scandalous dance. It gained popularity on the European continent by around 1780, but was still scorned in respectable circles in England and the United States. It wasn’t until the Prince Regent introduced the waltz at a ball in 1816 that it was accepted in England. As for the newly formed US, all we can say for certain is that it was a standard dance by 1830.  


For my new novel, Love in Three-Quarter Time, I assumed that as in all things fashionable, Americans would have followed close on the heels of their British cousins. I showed the waltz being introduced to Charlottesville, Virginia, by a trend-setting plantation matron in 1817. But the waltz of the Regency (or in this case late Federalist) era was quite different than the waltz we know today. It was closely related to the cotillion, and it incorporated a variety of handholds that could, in fact, turn a bit risqué in the wrong company.


Here are just a few lines from a very lengthy poem called “The Waltz,” written by Lord Byron in 1813.


Endearing Waltz! -- to thy more melting tune

Bow Irish jig and ancient rigadoon.
Scotch reels, avaunt! and country-dance, forego
Your future claims to each fantastic toe!
Waltz -- Waltz alone -- both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne'er before --- but --- pray "put out the light.
"Methinks the glare of yonder chandelier
Shines much too far --- or I am much too near;
And true, though strange --- Waltz whispers this remark,
"My slippery steps are safest in the dark!"




The waltz of that time was not the gliding Viennese Waltz or the boxy American Waltz we might be familiar with from dance shows today. It began with a side-by-side promenade called “The March,” but then moved into “The Pirouette” section which involved a variety of holds, some of them quite intimate and hip to hip, with hands linked overhead. The dance then moved into the quicker, hopping "Sauteuse" and"Jetté" portions, but always returned to the sensuous pirouettes. Unlike other dances of its time such as cotillions, minuets, reels, gavottes, and country dances which allowed only fleeting contact, the waltz allowed for extended body and eye contact between the partners. These holds allowed ample time for gazing into the partner’s eyes and…shall we say, conversation?

As in Colonial days, dance in the Federalist Era was an essential part of high society life. One’s ability to dance played an essential role in one’s good standing in the community. Little wonder my Mrs. Beaumont was in such a tizzy that her twin daughters were about to be launched into society and she couldn’t secure the best dance instructor in Virginia. And once she did find a suitable teacher, enter my heroine Constance Cavendish, little wonder that Mrs. Beaumont desired to wow her peers by being the first to thpresent the waltz in her area.


Thomas Jefferson, who makes a cameo appearance in my novel as a retired president and resident of Albemarle County, once wrote that dance “is a healthy exercise, elegant and very attractive for young people.” And as Jefferson spent much time in France, I surmise he would have enjoyed a good waltz himself.
I had tons of fun playing with the idea of introducing this “scandalous” dance into the polite society of the planter elite class in Albemarle County, Virginia. I hope you have fun reading about it as well. If you’d like to get a peek at the Regency Era waltz, check out this video. The filming quality is poor, but it’s the only one I could find that shows one of the more questionable holds. 

For more on the waltz, check out my novel, Love in Three-Quarter Time, only $3.99 for ebooks.

Monday, November 5, 2012

My New Magazine Career Etc...

Today starts a new venture for me. I'm now writing inspirational articles for a women's online magazine called iflourish at http://iflourishonline.com . The magazine began as a local endeavor and is relaunching in an online format today with my article called "Spacious Living in an Expansive God." I would highly recommend to all my female friends that they sign up to have these daily inspirational encouragements sent to them by email. Just click on the envelope icon at the top to subscribe through feedburner. The women involved in this magazine are all wonderful women of God, many of whom lead major ministries.

In other news, some early reviews for Love in Three-Quarter Time are coming in. Check them out on Amazon. And while you're there, you might also want to read the free sample of the novel. Remember, it's only $3.99. And here's my blog tour schedule so far for November and December:

November 8th: "The Power of Change" at http://goteenwriters.blogspot.com/
November 8th: "Overcoming through Dance" at http://cfpagels.blogspot.com/
November 9th and 10th: Reviews of LITQT at http://cfpagels.blogspot.com/
November 13th: "Launching a Career" at http://www.novelrocket.com/
November 15th: "A Fusion of Cultures" at http://lauriealiceeakes.blogspot.com/
November 15th: Featured with the CACW on USA Today's Happily Ever After Blog 
November 16th: "Regency Influence on the American Frontier" at http://christianregency.com/blog/
November 21st: Tea Party at http://colonialquills.blogspot.com/ 
December 5th: "Making History Work for You" at http://seekerville.blogspot.com/ 

Finally, here's a little teaser of my first magazine article...


Spacious Living in an Expansive God Part I

Hi, I’m Dina, and I’m new to the iflourish staff. So I wanted to share a little bit about who I am. Not my job, or my relationship status, or even the number of kids I have. No. I mean who I really am deep inside. For the last three years I’ve been grappling with the same few Bible verses from Matthew. I’ve been determined to learn how to live “freely and lightly” in the flow of the Holy Spirit. I’ve been discovering the “unforced rhythms of grace.” And quite a journey it has been.

Then a few weeks ago while I was attending the American Christian Fiction Writers Conference in Dallas, TX, I took a class called Live Free. Write Free. Honestly, I figured it would just be a relaxing class that would reinforce my own thoughts and beliefs on the subject. A friend of mine was one of the instructors, and I always enjoy hearing him speak. But the class pushed me to a new level of freedom. Even for me.
(visit http://iflourishonline.com/ for the rest of the article :)